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The Willow Pattern

 

For over 200 years the "Willow Pattern" has been a stock-pattern of many British Pottery manufacturers, and although at times its popularity has waned, it has eventually returned to favour, and regained popularity.

The term "Willow" is applied in a general way to many of the copies of the blue-and-white porcelain which was imported into England from China during the last half of the eighteenth century, Since the improvement of the quality British pottery the trade with China naturally came to an end.

Origins: 
Around 1780 the original Willow pattern was engraved on transfer printing, copper plates  by Thomas Minton when he was apprenticed to Thomas Turner at the Caughley porcelain factory in Shropshire, England.

Thomas Minton was to become famous for Minton ware - a cream-coloured and blue-printed earthenware majolica, bone china, and Parian porcelain; his factory was outstanding in the Victorian period for its "art" porcelains.

 


 

 

introduced around 1922 -  Burgess and Leigh's reproduction of Enoch Wood's early 1800s design

 

 


 

The Willow Legend 

There was once a Mandarin who had a beautiful daughter, Koong-se. 

He employed a secretary, Chang who, while he was attending to his master's accounts, fell in love with Koong-se, much to the anger of the Mandarin, who regarded the secretary as unworthy of his daughter.


The secretary was banished

The secretary was banished and a fence constructed around the gardens of the Mandarin's estate so that Chang could not see his daughter and Koong-se could only walk in the gardens and to the water's edge.

One day a shell fitted with sails containing a poem, and a bead which Koong-se had given to Chang, floated to the water's edge. Koong-se knew that her lover was not far away.

 

The unwanted betrothal

She was soon dismayed to learn that she had been betrothed to Ta-jin, a noble warrior Duke. 

She was full of despair when it was announced that her future husband, the noble Duke, was arriving, bearing a gift of jewels to celebrate his betrothal.

 


the banquet house

However, after the banquet, borrowing the robes of a servant, Chang passed through the guests unseen and came to Koong-se's room. They embraced and vowed to run away together. 

The Mandarin, the Duke, the guests, and all the servants had drunk so much wine that the couple almost got away without detection, but Koong-se's father saw her at the last minute and gave chase across the bridge.


chase across the bridge

 

 

The couple escaped and stayed with the maid that Koong-se's father had dismissed for conspiring with the lovers. 

Koong-se had given the casket of jewels to Chang and the Mandarin, who was also a magistrate, swore that he would use the jewels as a pretext to execute Chang when he caught him.

One night the Mandarin's spies reported that a man was hiding in a house by the river and the Mandarin's guards raided the house. But Chang had jumped into the ragging torrent and Koong-se thought that he had drowned.

 

 


hiding in the house of the maid 

 


the lovers escape by boat 

 

Some days later the guards returned to search the house again. 

While Koong-se's maid talked to them, Chang came by boat to the window and took Koong-se away to safety.

 


the murder of the lovers

They settled on a distant island, and over the years Chang became famous for his writings. This was to prove his undoing. The Mandarin heard about him and sent guards to destroy him.

Chang was put to the sword and Koong-se set fire to the house while she was still inside.

 


eternal peace

Thus they both perished and the gods, touched by their love, immortalised them as two doves, eternally flying together in the sky.

 

 


The Willow Story - article |

Willow Poem (1)  |  Willow Poem (2)  |

| various short Willow poems |


 

 


a wide range of Willow pattern ware

from the collection of Evangelina Escudero  

 

 


Questions, comments, contributions?: email Steve Birks


 

 

 

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