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"BURSLEM, an ancient town,
with a market held for a long period by custom, and subsequently
sanctioned by an act of parliament, is about three miles from
Newcastle and two from Hanley, entitled to the precedence of
other towns in this district, as claiming to be the mother, as
it is the metropolis, of the Staffordshire Potteries.
1828 journal
In the Doomsday Survey - for even
in that early date Burslem was a place of some importance - the
town appears, as "Burwardeslyn;" and frequent
mention is made of it in ancient documents during the Middle
Ages.
1893 journal
Burslem has many historical
buildings. As you travel through the mother town of the Potteries you can
see the fine examples of Georgian and Victorian architecture. The Old Town
Hall was completed in 1857 and its famous golden angel has had many refits
over the years. It has recently been given a fresh makeover to mark the
ceramic industry in the Potteries.
Burslem town centre still has the street plan of a small medieval market
town. Earthenware is still the town's specialty and pottery factories
still cluster around the civic buildings and shops sprawl out along the
main roads.
Some of the grandeur of Burslem in its heyday can be discerned in the
Georgian facade of Wood's Fountain Place Works and the 'Big House' built
by Thomas and John Wedgwood.
Obadiah Sherrat, John Walton and other figure-makers worked in Burslem,
many attended the art school in Queen Street.
The poorest of the pottery workshops stood by the wall of St. John the
Baptist's churchyard.
Many of the buildings and locations Arnold Bennett described in his
"Five Towns Novels" still stand and are identifiable today,
these include: The Wedgwood Institute, St John's Square (St. Luke's
Square), The Town Hall, Swan Bank (Duck Bank & Lane).
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