|
|
David Proudlove's
critique of the built environment of Stoke-on-Trent
'Symbols of
Unity, Division and the Potteries' Heart of Darkness' |
next: Victoriana
previous: 'Potteries heart of
darkness' - page 1
The orgy of public building continued in the Potteries during the mid-1800s, and in 1863, Longton completed its own second town hall on Times Square, a short distance from the site of its first.
Burrill was the architect behind Longton’s new town hall, and followed the trend set by Henry Ward in Stoke, creating a classical civic monument in ashlar, but less grand in scale. The building was extended by Beckett in 1912.
Tunstall’s second town hall – described by Pevsner as “ill-defined” – opened in 1883 at the eastern end of Tower Square, a Neo-Renaissance beauty in ashlar stone and brick built by the prolific A. R. Wood, one of the city’s most prominent and talented architects of the time. The town hall building was the tenth in the Potteries in just over a hundred years, and also incorporated a covered market hall to the rear, and a parade of ground floor shop units either side of the main entrance, which included Taylor’s. Indeed, the insertion of various shop frontages served to disfigure the southern three bays of the building, something that I can clearly recall being annoyed with when I first took an interest in local architecture as a Youngster.
Incredibly, Hanley saw its third town hall – and the Potteries’ eleventh – before the turn of the twentieth century, and just twelve months after Tunstall’s second, when the Queen’s Hotel, built by local architect Robert Scrivener in 1869, was reopened as Hanley Town Hall. A symmetrical brick and stone edifice, with French pavilion roofs; Hanley Town Hall is one of the most architecturally impressive of the city’s civic buildings, though in poor condition nowadays the building is still in municipal use, housing city council office staff and a registry office. However, the regeneration of Hanley (don’t laugh) may present a great opportunity for the City Council, and Hanley Town Hall may yet revert back to private as opposed to public use. Who knows, with its location adjacent to Victoria Hall, it may well become a hotel once more.
Fenton’s one and only town hall sits at the town’s heart, Albert Square, built by that most prominent Fentonian, William Meath Baker in 1888. A watered-down Gothic and Tudor mix, the building’s architect was Robert Scrivener, and in many ways, is very similar to A. R. Wood’s Tunstall creation.
The last of the Potteries’ thirteen town halls was built in the Mother Town, Burslem, and was the result of major political conflict around the time of the Federation. Burslem’s new town hall was built in anticipation that the Mother Town would be the civic seat of the new County Borough of Stoke-on-Trent. Stoke were also vying for this new important role, and already had a new, modern town hall and associated facilities. However, this did not dissuade Burslem, and London-based architects Russell and Cooper were appointed and produced a large Classical monument to civic extravagance and largesse.
The first meeting of the new Council was held at the North Stafford Hotel, and the question of where the County Borough’s municipal centre should be was one of the first major issues confronted by the Council. Of course, Stoke was eventually chosen as the home of the County Borough of Stoke, and therefore Burslem’s ‘new’ town hall was redundant on completion, and became known as ‘Malkin’s Folly’, after Sydney Malkin, the pro-federation Burslem councillor who forced through the building of the new town hall. This became a sign of things to come, and similar situations continue to arise, even today. Indeed, if such a decision was taken by the modern local authority, you would guarantee wall-to-wall Sentinel coverage and demands for heads to roll.
The modern local authority is of course still based at Stoke Town Hall and the adjoining Civic Centre (another Potteries example of ‘Leeds Look’ architecture): the Potteries’ Heart of Darkness.
No other city in the country could have had such a long-list of civic headquarters as Stoke-on-Trent (if you include Unity House and the Civic Centre alongside the various town halls, an incredible fifteen buildings), and those that remain and their condition say a lot about the state of our city: rotting, deteriorating, empty…yet they also remain beacons of hope, and as the neighbouring Borough of Newcastle have demonstrated with their revamp of the Guildhall, such historic symbols of our civic past can still play a key role in our future." David Proudlove 06 January 2010 |
next: Victoriana
previous: 'Potteries heart of darkness' - page 1