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David Proudlove's
critique of the built environment of Stoke-on-Trent
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As the area’s dominant industry expanded, manufacturers took advantage of technological advances to further their growth, and drive efficiencies. Burgess and Leigh – manufacturers of the famed Burleigh ware – followed the example provided by Wedgwood in Etruria, and located a new, ‘planned’ factory alongside the Grand Trunk Canal (Trent and Mersey Canal) in Middleport.
As with the Queen Victoria Jubilee Buildings, North Staffordshire’s prominent architect A. R. Wood was the mastermind behind Middleport Pottery, and produced a new model potworks that capitalised on the area’s communications networks, and was ahead of its time in terms of the pottery manufacturing process: potworks traditionally developed organically around kilns – Middleport Pottery was designed to enable a linear production process, and is now one of Stoke-on-Trent’s small number of Grade II* Listed Buildings.
Middleport Pottery and Burgess and Leigh were saved from the receivers in 1999 by the Dorling family, and the company – now known as Burgess Dorling and Leigh – continue to operate from the site. Indeed, Middleport Pottery is the only totally intact working Victorian pottery.
more on the Middleport Pottery Other communications improvements of the age included the growth of telecommunications, and by 1890, the Potteries had over 200 subscribers to the service.
They began a local search for a suitable
site, and selected a plot on what is now Trinity Street, and developed
the Telephone Buildings, a renaissance-style masterpiece in the
ubiquitous local red brick and terracotta.
Further growth in the industry during the 1900s led to the development of larger more modern premises adjacent to the Telephone Buildings, which meant that British Telecom no longer needed the building. Fortunately, the building was granted Grade II Listed status in 1993 and is now home to the Fat Cat Café Bar.
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