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David Proudlove's
critique of the built environment of Stoke-on-Trent
'Guardians of the Dead' There is only place that we are all going; Death is the one great leveller and has no respect for money, class or status, and it is the only time of life where both kings and beggars are equal. In the worsening economic climate, many will worry, but probably the only people that will not be worrying are undertakers, and you will not find too many liquidation notices concerning those that rely on our final destiny to pay the rent… One of the more interesting and perhaps happier aspects of our final journey are the final resting places themselves, which are often home to some iconic and beautiful architecture, and some stunning landscape design. The Potteries can hold its head up high in this respect. |
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page 2
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The cemetery is the final resting place of Potteries’ legends Father P. J. Ryan, and Clarice Cliff, who was also born in Tunstall and gained fame as one of the most influential ceramic artists of the twentieth century through her innovative Art Deco designs. Unfortunately, the cemetery has lost its chapel, though adjacent to its lower entrance is the attractive the Cottage Hotel.
The crematorium and chapel were opened at the height of World War II in 1940, with the cemetery following in 1947. The grounds cover some 25.7 hectares, and have been fantastically managed by the City Council: as well as being a cemetery and crematorium, it is a haven for local wildlife and is used by local people for walking and contemplating life.
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next: Guardians of the Dead - page 2
previous: Black Gold