Ridgways |
|
Location and period of operation:
Ridgways |
Shelton |
1920 |
1952 |
Earthenware
manufacturer at the Bedford
works,
Shelton, Hanley, Stoke-on-Trent,
England
|
Formerly: Ridgways (1879-1920)
Subsequently: Ridgway and Adderley Ltd (1952-1955)
Ridgways, Bedford Works, Hanley, is a familiar name to dealers all the world over, particularly in the United States of America, in connection with the manufacture of pottery. They are amongst the oldest of the most reputable potters of Staffordshire. The London sample-rooms are at 17, Thavies Inn, where they are represented by Mr. Richard Wheeler. They are manufacturers of high-class toilet ware, dinner ware, tea and breakfast ware, and of useful household goods generally in semi-porcelain. A very complete line of samples is always to be seen at the London rooms, and the firm are prolific in their production of novelties. They have a wide range both as to form and decoration, the latter from neat, inexpensive patterns up to richly enamelled and gilt. Toilet and dinner ware are special lines, and in both the samples shown are in accordance with the best modern taste. I say the "best" because popular taste sometimes favours shapes and decorations that do not commend themselves to persons who only appreciate what is artistic. Ridgways aim at improving the taste of the public, and, like other high-class makers, they do not manufacture goods that will not do justice to their reputation, though there may be a demand for them. The new samples of toilet ware and dinner ware are proof of this. There is a large assortment of new patterns in dinner ware, which includes several pleasing small designs. A neat laurel leaf border in green round the rims of dinner ware is very attractive. There are novelties in toilet ware equally interesting, and Mr. Wheeler, who had returned from the works, told me that other new toilets are being prepared for the new year. That they are new is indicated by their names, "The Durbar" and "The Delhi". It is, however, premature to say more about them. The company are famous for their fancy suite ware. The range ‘"Coaching Days and Coaching Ways" will be well remembered by dealers as an interesting and good selling line. There are several other series that are equally pleasing. One consists of reproductions of scenes from Dickens' "Old Curiosity Shop", that were brought out by the firm many years ago. This makes an artistic but inexpensive suite. The "Ellesmere" suite is decorated with birds and flowers in colours - a bright and pleasing ornamentation. "Ambrosial Ware" has pretty landscapes and sea views on a cream ground with gold border. But perhaps the most artistic suite of all (and there are several others) is appropriately named the "R.A. Ware". There are copies of famous paintings on a delicate canary ground. The subjects are beautifully executed on plaques and plates - chiefly the former. One, which is typical of many others, is a clever reproduction of Holman Hunt's ‘"The Light of the World". This is a very high-class decoration, and will do much to encourage artistic taste. The decorations on each of these suites are applied to vases, jugs, plates, dishes, and all miscellaneous table ware - except the "R. A." subjects, which are chiefly on round and oval plaques. A very interesting novelty is shown at the rooms: there are some beautiful figures in the style of the old Staffordshire ware that was, and is, so greatly admired. There is a genuine piece of old Staffordshire - a figure of a naval officer, in colours - produced by the Ridgways in the early part of the last century. This is now a valuable piece. Mr. John Ridgway, as an artistic experiment, we presume, has produced figures of H.M. King Edward VII. and H.M. Queen Alexandra as they appeared at the time of their coronation. These are finely modelled by H. Till, and are coloured naturally. Figures of King George V. and of Queen Mary are reproduced in the same style. These Staffordshire figures will some day be valuable far beyond their present intrinsic worth, and no doubt that is one of the objects Mr. Ridgway had in producing them. They are not unique, but they may even now be considered as very rare specimens, for I understand that only a small number will be produced, and that the mould will then be destroyed. We give illustrations of the original old Staffordshire figure, and of their Majesties King Edward and Queen Alexandra, reproductions of photographs we were permitted to take of the figures now on view.
The Pottery Gazette - January 1, 1912 |
Examples of ware produced by Ridgway (Bedford Works) Ltd:
"In the 20th century, Ridgways was a large manufacturer of mid-range somestic earthenware, ornimental earthenware, sanitary pottery and tiles. The company developed an extensive export business to North America, specialising in tableware decorated in traditional 19th century patterns." British Pottery Manufacturers 1900-2010 - Michael Perry
Many of the Ridway patterns did not have a name. |
jug in the style of the Willow pattern |
The wording 'Engraved for W.Ridgway & Co 1832' refers to the fact that the pattern was first produced in 1832 by one of the former companies William Ridgway & Co. who operated in this period. It does not mean that this ware was made in 1832
|
hand painted plate |
c.1927+
|
Platter in 'Ridgways Old Ivory' |
c.1930+ |
Sugar basin and milk jug in
'Ridgways Old Ivory'
Gaudy painted Willow pattern
with impressed manufacturing date mark of July 1929
printed pattern plate with gilt edging |
c.1930+ The "Est 1792" does
not refer to the Bedford works but to the original potworks established by Job
and George Ridgway. |
milk jug in the Aristocrat pattern this was a standard pattern for Ridgways - they produced it for many years, particularly in a blue pattern |
Ridgways Shelton England Vitrified Canadian Tumbler Co Toronto the registration
number 830457 shows that the pattern |
Canadian Tumbler Company
were a retailer and supplier of hotel and catering ware
they purchased pottery from a number of English potters including:
Ridgways, Deans (1910) Ltd, Globe
Pottery, Bishop
& Stonier,
blue & white transfer printed dish in the Venice pattern |
c.1950+
|
transferware handleless cup - based on the Willow pattern |
Marks used on ware for identification:
The style of marks used by Ridgways continued to be used by Ridgways (Bedford Works) Ltd. The earlier bow & quiver mark was continued (usually with the addition of the diamond mark) and the roundal mounted by a crown was continued. Trade names included 'Bedford Ware' |
Diamond
marks:-
diamond with
bow & quiver printed marks
these also include an impressed mark
giving the month/year of manufacture
Ridgways England SEMI CHINA Engraved for W. Ridgway & Co 1832 |
The bow & quiver trade mark
was registered by
|
Godden's Encyclopaedia
of British Pottery and Porcelain Marks gives a date of c.
1927 for the introduction of the diamond mark (mark 3317) this has been found to be incorrect - examples show that variations of the diamond mark were in use at least as early as 1885 and probably from the formation of the company in 1879/80. |
Ridgways Hand Painted
Bedford Ware
Made in England
c.1927+
Ironstone Ware
Ridgways, Bedford Works
England
c.1930+
Ridgways Old Ivory
Bedford Ware
Made in England
c.1930+
Ridgways
Shelton England
England
Est
1792
c.1930+
The "Est 1792" does
not refer to the Bedford works but to the original potworks established by Job
and George Ridgway.
It was not unusual for companies to try to put an early as possible date to give
an appearance of age and stability.
Ivory China
BEDFORD
Made in England
c.1934+
Ivory China
Ridgways
England
c.1934+
Est 1792
Ridgway
Made in England
c.1950+
The "Est 1792" does
not refer to the Bedford works but to the original potworks established by Job
and George Ridgway.
It was not unusual for companies to try to put an early as possible date to give
an appearance of age and stability.
this style of mark was continued by subsequent companies
- click picture for more on the Bedford Works -
Questions, comments, contributions? email: Steve Birks