Moore Bros






 

Location and period of operation:

Moore Bros

Longton

1872

1905

 

Manufacturers of china tableware and high quality ornamental pieces at St. Mary's Works, Longton, Stoke-on-Trent, England

Moore Brothers designs were inspired by the Arts and Crafts Movement and later, Art Nouveau, reflecting a shift toward artistic, decorative pottery that emphasized craftsmanship and originality. Their work often featured flowing, organic shapes and intricate decoration. They used a variety of glazes, including rich, textured glazes that gave their pieces a unique depth of colour.

  • The partners were Bernard Moore and his younger brother Samuel Vincent Moore. 

  • By 1881 they were employing 150 people at their pottery works. 

  • The business ended in 1905 and the moulds and designs of Moore Bros. were sold. Some of the moulds were sold to R.H. & S.L. Plant. The Pottery Gazette, March 1906 notes that they "acquired most of the moulds belonging to Messrs. Moore Bros., late of St. Mary’s Works, High-street, Longton, and are now producing the beautiful art porcelain models for which that firm was celebrated." 

  • The St. Mary's works was purchased by Thomas C. Wild and were later to become the home of Royal Albert China. 

  • After the closure of Moore Bros Bernard Moore took premises at Wolfe Street, Stoke - he became a 'Consultant Potter' and manufactured pieces with spectacular glazes. His brother, Samuel V. Moore appears to have left the potting business. 

 

Previously: Samuel Moore (& Son) (1859 - 1870/2)

Subsequently: Bernard Moore (at the Wolfe Street works) (1905-1915) 

on the Moore family of potters

 

 




Moore Brothers
manufacturers of Art Porcelain, China, &c
St. Mary's Works, Longton, Staffordshire

 The Pottery Gazette, American and Canadian Edition, January 1st 1880

 


 


Moore Brothers
St. Mary's Works, Longton, Staffordshire
  Manufacturers of Art Porcelain, China, &c
Specialities in Raised Flower Goods and Artistic China

 The Pottery Gazette, 1st July 1880

 

The statement 'Founded 1840' refers to the previous business of Hamilton & Moore at the St. Mary's Works  

 


 

Advertisement from 1889 Keates directory

Advertisement from 1889 Keates directory
courtesy: R. K. Henrywood, Staffordshire Potters 1781-1900 

 


 

   
Porcelain raised flower vase

the registration diamond shows that this pattern was first registered by Moore Bros. on the 18th March 1880 

photos courtesy: Betsi Mead

 


 


Made by Moore Bros. during the 1880's/90's it takes the form of a hollow flower head sitting in a pair of cornucopia like stems which have 3 hollow apertures for stems/buds, the whole being adorned to each side with an orchid.
printed marks of Moore Bros on base

 


 


  Moore Bros grotesque monkey figure.
Moore Bros grotesque monkey figure.


An unusual bone china figure resembling a monkey or imaginary creature, with devil like features, walking down a tree stump hanging by its tail. Characteristic glass eyes. Covered all over in a vivid bright green glaze. Height approx. 6” (150mm).

This figure represents one of Bernard Moore's earliest attempts at the production of quirky and grotesque animal figures and was probably produced around 1905 during the life of the Moore Brothers Pottery and prior to the experimental glazes and decoration techniques produced by Moore in his Wolfe Street Studio. 

This figure is known, decorated in the same colours, bearing the BM mark indicating decoration at some later date at the Wolfe Street premises.

Moore Bros England
Marked on the underside - Moore Bros England, 
together with an impressed mark 'England' 

 


 

Moore Bros flower vase with cherub 

Moore Bros flower vase with cherub
impressed 'MOORE' on base

The cherub centerpieces produced by Moore Brothers, England, were some of the most celebrated and distinctive pieces in their production. These pieces were highly decorative, combining intricate craftsmanship with a sense of playful expression and elegance.

They were created with the intent to be visually striking as well as symbolic. Cherubs were commonly associated with love, beauty, and innocence in classical art, and their presence in these centerpieces added a romantic and idealized element to the pottery. The pieces were designed to serve as both functional objects and decorative art, often used as centerpieces on tables or display cabinets.

 

 


 


porcelain centre piece with raised roses, leaves and branches

the hand painted number '31' on the base could be a pattern number 

 


MOORE

printed mark with the Moore name in a ribbon above a representation of a globe

c. 1880-90

photos courtesy: Claire Howorth 

 

 


 

 


Moore Bros
RdNo 190756

 


Moore Bros
RdNo 190757

 

As an example of the different ware produced by Moore Bros - both of these designs were registered on the same day: 8th April 1892.

The oil lamp stand, registration number 190756, (converted to electric light at some time) is about 50cm (1ft 7in) - the centre trunk has applied with four cherubs (or putti) and is entwined with orchids and leaves as is the oil reservoir at the top. 

The tea set, registration number 190757, is described as "a printed design comprising trailing sprays of fruiting and flowering bramble runners"



 


 


small Moore Bros plate dating from c.1902 -1915  
small Moore Bros plate dating from c.1902 -1905
the subject is a turtle picked out in gold
on a green glaze background

 


 

Marks used on ware for identification:

MOORE

MOORE BROS

 


 


Moore 
Moore Bros England
Moore Bros 
England

standard impressed or printed marks c.1872-1905

'England' was generally used from 1891 

 

 


Moore 

Moore 
England

standard printed marks c.1880-1902

'England' was generally used from 1891 

 

 


Moore Bros 
England

printed mark c.1902-1905

occasionally as a printed mark

 

 


click for more information on 
the works and Moore family history:-


St. Mary Works 

index page for Moore family of potters

        


Questions, comments, contributions? email:  Steve Birks